November 05, 2003
Get Comfortable with the Camera
Sorry yesterday's entry was so long. I'll try to restrain myself from now on...
For the first few years that I owned my Canon Rebel, I left it in auto-mode. I didn't have to worry about focus, when to turn on the flash, where to set my aperture or shutter speed, etc. The only thing I worried about was framing the shot (using the zoom lens if necessary) and pushing the button. I was essentially using a rather expensive point-and-shoot camera.
Now that I have begun using manual mode, I know that one of the hardest things for beginners to learn is how to control their exposures effectively. There are several variables at play and they are all intertwined, but it all boils down to one thing: photography is all about light, as in the amount of light that you allow into your camera to hit a little square piece of film.
For the beginner, there are three things to consider:
- Film speed or ISO
- Basically, the ISO rating indicates the sensitivity of film to light. The higher the ISO number, the less light that is needed to produce an image.
- Aperture size or f-stop
- This is the size of the opening in your lens that lets light into the camera. Like many things in photography, the numbers used seem backwards. In this case, the lower the f-stop, the bigger the opening.
- Shutter speed
- This is just what it sounds like. Your camera has a "curtain" that opens and closes to allow light entering the camera to hit the film. Again, the numbers are backwards. Low numbers mean the shutter stay open longer, allowing light to hit the film for a longer period of time.
Changing any one of these factors will affect your exposure. Obviously, changing more than one factor can have an offsetting effect which can be tricky until you get the hang of it. More about this later.
About Us
B&W Photo Gallery
Buddy's Story
Top Five Lists
Media Consumption
Haiku of the Day
groping in the dark
Choosing a Camera
Get Comfortable with the Camera
ISO - Whatever That Stands For
Let the Light Shine In
Drawing the Curtain
Finding the right shade of gray
Composition: the Rule of Thirds
Composition: Background
Photographing Reality: A Manifesto
Setting Up a Darkroom: The Plan
Setting Up a Darkroom: Buying Stuff
Setting Up a Darkroom: Dry vs. Wet
First Darkroom Activity
First Printing
Using XTOL with TMAX
Fuzzy Prints
Controlling Contrast
Printing Review
Dodging and Burning
Tips From the Master
Picking a Paper
Out Damned Spot
Henri Cartier-Bresson 1908-2004
Jeff Bridges and the Widelux F8
Richard Avedon, 1923-2004
Depleted Developer
The Community Darkroom
Ken Rockwell's How-To Pages
NYIPs B&W Reference Page
BetterPhoto.com
Kodak B&W Films
Kodak B&W Chemistry
Ilford RC Paper


